Newt Gingrich Draws Ire of the Tiger

Newt Gingrich

As if his sliding poll numbers were not enough to get him down, Newt Gingrich has now been sued for copyright infringement for using the song “Eye of the Tiger” on the campaign trail without authorization from the song’s owner.

Frank M. Sullivan III, composer of the song and co-founder of Survivor, filed the lawsuit in a U.S. District Court in Chicago alleging the Republican presidential candidate has been using the song without permission.  The song, created and performed by the group Survivor, became an international success after its release in 1982 and was also the theme song to “Rocky III.” According to the suit, Gingrich has been using “Eye of the Tiger” since 2009 during conferences and public events.

U.S. Copyright Act grants certain rights exclusively to the owner which are different from the rights given to a person who merely owns a copy of the work.  The owner of a copy of a work may resell or even destroy the copy they own.  They may not, however, reproduce, create derivatives, distribute, publicly display, or publicly perform the work because these rights belong to the owner of the copyright and no one else (unless by permission of the owner).

Newt likely ran afoul of the exclusive rights to publicly perform and display the work since he, according to the lawsuit, did not have the permission of Mr. Sullivan or the band, to use the song during his public appearances.

Mr. Sullivan claims that Newt should have known better since he himself is the author or co-author of forty copyrighted works and since the Copyright Act was extensively amended while he served as a Congressman.  Gingrich is also the CEO of Gingrich Productions Inc., a multimedia production company that features the works of Newt and his wife, Callista.  The Complaint even turned Gingrich’s own words against him, quoting a stump speech where the politician stated “[i]f a company finds that it has genuinely been infringed upon, it has the right to sue.”  Indeed they do, Congressman.  The suit seeks damages, any profits gained from using the song, attorney fees, court costs, and an injunction barring Newt
from using the song in the future.

Gingrich is by no means the first politician to draw the ire of a musician for using a song on the campaign trail.  U.S. Rep. Joe Walsh (R-Ill.) was sued by the other Joe Walsh – the guitarist from the Eagles, for reworking his hit with the James Gang “Walk Away” into a campaign song called “Lead the Way.”

John McCain’s campaign angered ’70s rock group Heart for using the song “Barracuda” at vice presidential candidate Sarah Palin’s rallies.  McCain and the Republican Party miffed several other bands including The Foo Fighters, John Mellencamp, and Jackson Browne, by using various copyrighted works on the campaign trail.  Browne sued over the use of his song “Running on Empty.”  Even as far back as 1984 Bruce Springsteen complained of Ronald Reagan’s use of his song “Born in the USA” during Reagan’s reelection campaign.

If the “Eye of the Tiger” lyrics are any indication of Sullivan’s approach to this case, Gingrich should settle quickly:  “And the last known survivor / Stalks his prey in the night / And he’s watching us all with the / Eye of the tiger.”

Nicholas D. Myers, Esq.

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Ron Artest Changes Name to Meta World Peace, Forsakes Right of Publicity?

Ron Artest During the Lakers Championship Parade

Ron Artest has repeatedly stated that he is new man.  He has put behind him the emotional outbursts, suspensions, and the infamous brawl with Detroit Pistons fans that have defined his career perhaps more so than his basketball skills.  With this newfound perspective on life, he has also decided to give himself a new name.

On September 16, 2011, a Judge granted Artest’s petition for a legal name change after Artest cleared up some outstanding traffic tickets.  Meta is now his first name and World Peace is his last name.  Meta said the name change is “meant to inspire and bring youth together all around the world.”

Coincidentally, his new first name just happens to rhyme with that of his Dancing with the Stars partner Peta Murgatroyd.  Mr. World Peace will be testing out the new name while simultaneously trying to learn the Foxtrot, Samba, and other dances on DWTS.

Millions of Americans wonder how Meta’s basketball skills will translate on the dance floor.  Far fewer are wondering what happens to his old name now that he has legally given it up.

California, like many other states, has statutes in place to protect a person’s right of publicity, giving him or her the right to control the commercial value and exploitation of his or her name, picture, and likeness and to prevent others from unfairly appropriating the value for their commercial benefit.  But what if someone legally changes their name?  Do they still have publicity rights in their old name?  They essentially have abandoned it, so can others use it for commercial benefit?

Meta World Peace is not the only current athlete that has to be concerned about right of publicity issues in his old name [I am looking at you Chad Ochocinco (born Chad Johnson)].  They are also, by no means, the first athletes to adopt names other than their birth names [Kareem Abdul-Jabbar (born Lew Alcindor) and Muhammad Ali (born Cassius Clay, Jr.)].

Do these athletes have rights in the names they gave up?  There is no Federal right of publicity law, so whether a person retains rights in a name they have abandoned will come down to application of the applicable state law.  States’ right of publicity laws vary in breadth, so the answer is a bit unclear.  Laws within a single state can even vary in result.

Take, for example, a case involving Vanna White, in which she sued Samsung for an advertisement that was set in the twenty-first century and conveyed the idea that Samsung products would last until then. The commercial depicted a robot, dressed in a wig, gown, and jewelry which was selected to resemble Vanna White’s hair and dress. The robot was posed next to a game board recognizable as the Wheel of Fortune game show set.  White had not consented to and was not paid for the ad.

Ron Artest During a Lakers Game

The court in that case found that the commercial did not rise to the level of a “likeness” as contemplated by the California publicity statute.  However, the court did find that White’s common law right of publicity claim could survive even though the statutory claim had been dismissed since.  Unlike the statutory right which is limited to the appropriation of name or likeness, the common law right of publicity is based on the “use of any indicia by which the plaintiff is identifiable.”

In this lawyer’s opinion, the common law right of publicity in California acknowledges and preserves the fundamental notions on which right of publicity laws were originally based—that when a person creates value in her name and likeness, he/she alone should be able to capture that value.  No one should be allowed to sell a product by invoking the likeness of another person without obtaining consent.

Some legal professionals argue that a theory of abandonment should apply to right of publicity (like it does to trademarks as well as personal property) when a person surrenders a name (as in the above cases, actually making a legal name change).   However, this ignores the underpinnings of the laws and the fact that the person who chose to change their name is still the same person that created value in both their former and current name.

“Cap” (a/k/a Kareem Abdul-Jabbar) (f/k/a Lew Alcindor) got an Illinois court to agree, but only after appeal.  Abdul-Jabbar sued GMC over an advertisement, done without his consent, in which it referenced him being named MVP of the NCAA men’s basketball tournament three times and likened that to the awards its Buick car had received.  The district court in his case found that Abdul-Jabbar had abandoned the name Lew Alcindor when he legally changed his name.  However, Abdul-Jabbar successfully argued to the appeals court that abandonment is not a defense to a violation of the right of publicity because the right of publicity protects not only a celebrity’s “sole right to exploit his identity, but also his “decision not to use his name or identity for commercial purposes.”  The appeals court ruled that it is not possible for a person to lose rights in their own name or likeness through non-use.

I agree with the Illinois appeals court’s ruling and think that it recognizes the essence of the right of publicity, that is the sole right to exploit (or to choose not to exploit) a name in which a person has created value.

So, Meta World Peace should embrace his new name and outlook on life with some assurance that others will not be able to use “Ron Artest” to promote their products without first getting his permission (sorry to those looking forward to Ron Artest riot gear).  Besides, it just seems like bad karma to tread upon the rights of someone whose name is now World Peace.

Nicholas D. Myers, Esq.

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Baby, Baby, Baby, No! YouTube (Temporarily) Boots Bieber

Justin Bieber

Wildly successful teen pop star, Justin Bieber, recently had every single one of his videos pulled from YouTube and, no, it was not due to jealousy over his famous shaggy little hairdo.  Rather, a YouTube user going by the screen name “iLCreations” successfully removed all the videos by alleging copyright infringement.

There is no indication that iLCreations had any rights to the videos or a valid claim under copyright law.  Nonetheless, iLCreations invoked YouTube’s content removal policy by falsely claiming to own Bieber’s music videos.

YouTube and similar companies all have content removal policies to insulate themselves from liability for infringement when a user uploads infringing content to the site.  The removal policies are a product of the Digital Millennium Copyright Act (“DMCA”) which, among other things, shields Internet service providers from copyright infringement liability for simply transmitting information over the Internet.

Per the DMCA, if unauthorized copyrighted material is made available on a network, the copyright holder may issue a takedown notice to the service provider.  The service provider must then promptly remove or block the infringing material and inform the person responsible.  As long as the service provider removes the content, the provider does not incur liability.   However, if the provider does not respond to a claim of infringement, then liability may follow.

The net result is that Internet service providers remove content immediately upon receiving a notice and then inform the alleged infringer that the content has been removed due to an allegation of infringement.  These policies protect copyright owners because providers will remove infringing content quickly minus the hurdle of a drawn out legal proceeding.

Many companies use DMCA takedown notices to protect their rights in movies, television shows, songs, and music videos.  It allows copyright owners to prevent the unauthorized release of content over the Internet, which would otherwise hinder their ability to make a profit on the work they created.

Movies are especially vulnerable to illegal releases (especially when they are leaked prior to their release date) because most consumers view a film only once.  So, as soon as a movie is leaked, the copyright owner loses profits he otherwise would have received from movie theater ticket sales or DVD purchases.  High profile examples of leaked movies include Star Wars: Revenge of the Sith, Iron Man, Sex and the City, Hulk, and The Simpsons Movie.

In this lawyer’s opinion, the DMCA takedown notice is a good thing.  It provides an effective means to have infringing content removed quickly and to minimize harm to copyright owners.  Although this results in a “remove first, ask questions later” approach by service providers, the protections that the takedown notice provides outweigh the inconvenience of temporary removal of authorized content.  As far as Bieber is concerned, iLCreations misused the DMCA provisions by claiming rights he or she did not have in order to take down all of the Bieb’s music videos.  However, those consumed with Bieber Fever need not worry.  At last check, his videos are all back up, including my personal favorite “Baby.” 

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The Triple X Threat that the .XXX Domain Poses to Brand Owners

Batman XXX - A Porn Parody

As a user of the Internet, you’re used to typing the name of a website into your browser with a .com or a .net at the end.  Maybe even .info, .biz, .org, .gov, or .edu.  These are all “top level” Internet domains.  The ones just mentioned are just a few of the twenty-two top level domains that exist.  Come December, however, these domains will be joined by sexy newcomer, .xxx.

Yes.  Very soon, people will be allowed to register what are being referred to as “porn domains.”  While some applaud the triple X domain as a means to readily identify websites that contain mature content, some brand owners (even pornography brand owners) have concerns.

An entity called The Internet Corporation for Assigned Names and Numbers (or, “ICANN”), regulates and approves top level domains.  ICANN decided to approve .xxx as a top level domain but also decided to give brand owners the option to pre-register .xxx domain names for their brands, compelling some companies to register such sites for the sake of protecting their reputations.

Not the Cosbys XXX

Brand owners already purchase other domains to prevent use by others, but many feel that the .xxx domain carries with it a stigma that could extraordinarily damage their brands.  These brand owners feel like they’re essentially forced to buy the .xxx domain (at roughly $200 a pop) or risk someone else acquiring the .xxx and ruining the image the company has cultivated.

For example, the Disney Company clearly would not want www.disney.xxx to exist.  Should the site fall into the wrong hands, Mickey and friends could be cast in a completely different light which could destroy Disney’s family friendly image and likewise result in a worldwide backlash.  Thus, Disney might pre-register www.disney.xxx to prevent others from doing so and wreaking havoc on Disney’s reputation.

Similarly, companies like MTV Networks (the distributors of popular children’s cartoon character, SpongeBob) share this concern and have pre-registered .xxx domain names as a means to protect their brands.

If a brand owner decides not to register .xxx domains that contain their trademarks, they do have the option of using ICANN’s dispute resolution policy to take back the domain from someone improperly using the trademark (although that will cost far more than the $200.00 domain registration fee).

But, is it fair to let brand owners pre-register all of the .xxx domains that they want prior to letting the general public apply for them?  Copyright law has a built in “fair use” defense for parodies, satires, and criticism (think Saturday Night Live).  Similarly, many courts have applied the traditional “likelihood of confusion test” to parodies in the context of trademark infringement.  Although “parody” is not a defense to a claim of trademark infringement, courts have noted in applying the likelihood of confusion test (either as a separate factor or in relation to other factors) that a successful parody will rarely be considered infringing because the ultimate object of a parody is to amuse, not confuse.  Thus, creators of parodies have the right to use copyrighted and trademarked work.

Brand owners, however, have long been leary of parodies and the potential harm to their brands that could result.  This is especially true in the case of “pornographic parodies.”  Never heard of them?  Well, (according to a simple Internet search) there are hundreds upon hundreds, including porno parodies of hit sit-com “The Office,” bizarrely entertaining, idiotic reality show, “Jersey Shore,” and cult movie classic, “The Big Lebowski,” to name a few.

Not the Bradys XXX

The creators of these porn parodies have the lawful right to create, distribute, and sell the films, and to incorporate the name of the work being parodied.  This means that they also have copyright and trademark rights (to varying degrees) in their parodies, and essentially, they are brand owners who should be entitled to pre-register for domains as well.

In this lawyer’s opinion, it makes sense to let owners of pornographic parodies register for the .xxx domain of their parody.  On the one hand, owners of copyrighted works or trademarks that are the subject of parody want the parodies to be clearly designated as such.  On the other hand, owners of parodies would like to be able to exercise their copyright and trademark rights.  Allowing the owners of porno parodies to register for the .xxx domain means that Internet users looking for the DC Comics series, “Batman,” will know to go to www.batman.com, while those (not this lawyer) seeking the porno parody of Batman will know to go to www.batman.xxx.  The .xxx domain then serves as an indicator of source and content that helps to avoid confusion, which is what brand owners want.

Nicholas D. Myers, Esq.

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Pacquiao Seeks TKO of Mayweather

Pacquiao v. Clottey Weigh In

Pacquiao v. Clottey Weigh In

As any true Manny Pacquiao fan knows, Manny filed a defamation lawsuit against Floyd Mayweather, Jr., and Floyd’s uncle, Roger, for alleging that Manny used performance enhancing drugs.  Manny denied these claims and sued the Mayweather camp for harm caused by the allegations.

The U.S. Supreme Court has long since declared that “the interest of a Plaintiff in a defamation suit is his reputation.”  The court recognizes that reputations have value, and, thus, any person can seek relief and damages when his or her reputation has been harmed.

Floyd Mayweather, Jr.

Through his attorneys, Manny requested that Floyd show up for a deposition (a meeting where attorneys can ask parties and witnesses questions under oath so they can use the responses in court in place of spoken testimony).  Manny’s attorneys sought to question Floyd about his allegations and proposed at least twenty-four different dates for Floyd’s deposition.   Interestingly, Floyd claimed to be unavailable on all of the dates due to “training,” yet photos surfaced of him traveling for pleasure in various parts of the U.S. during that time.

Floyd is scheduled to fight Victor Ortiz on September 17, 2011, at the MGM Grand in Las Vegas.  Manny will fight Juan Manuel Marquez on November 12, 2011, in the same venue.

Due to Floyd’s unwillingness to show up for a deposition, Manny’s attorneys asked the Court to issue a default judgment on the defamation claims.  (A default judgment amounts to the legal equivalent of a TKO).  Manny’s attorneys seek more than $10 million in damages, plus attorneys fees.

If Floyd continues to refuse to be deposed, the defamation case is a done deal in favor of Manny.  AND, since the public at large sees Manny as the favorite and Floyd as cowering away, Manny ALSO wins in the public eye as long as Floyd refuses to fight.  In this lawyer’s opinion, Floyd needs to touch gloves and come out fighting, although I don’t expect it to end well for him.  Floyd very well may share this sentiment which could explain why he still won’t face Pac-Man in the ring.

Nicholas D. Myers, Esq.

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